Mixing in Pro Tools: Skill Pack by Brian Smithers
By Brian Smithers
Thoroughly up to date for professional instruments eight, blending in seasoned instruments: ability Pack may help you improve your figuring out of the paintings and craft of constructing great-sounding mixes utilizing Digidesign's industry-standard DAW professional instruments. beginning with the fundamentals of crucial processors and dealing as much as complex sign routing and complex sonic manipulation, this ebook might help you to supply polished professional-sounding mixes. As you're employed with the pattern periods at the incorporated CD-ROM and the hands-on tutorials within the publication, you are going to improve your ears as you extend your wisdom. in contrast to different books with better half discs, the resource records in your ability Pack CD-ROM are a vital a part of this book's tutorials--they should not there as mere examples; they're the development blocks from which you will build the initiatives. the result's a completely built-in studying experience--you'll study through utilizing the talents you have been taught via real-life adventure.
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Additional resources for Mixing in Pro Tools: Skill Pack
In the studio, delay effects are used to add this location information to a sound recorded without much ambience of its own. ptf and go to memory location 1, Simple Delay. The audio region highlighted there is a deliberately simple phrase constructed to help make the results of your first delay experiments clearly evident. Routing a Time-Based Effect After all we’ve been through together, you would think that I’d be about to tell you to insert a delay plug-in on the audio track, but you would be wrong.
Leave the other parameters at their defaults, and click Create to create one new mono aux input. 5. Double-click the aux input’s name and name it Delay Aux. 6. Solo-safe the aux input by Ctrl-clicking (Cmd-clicking) its Solo button, which will gray out. Ch apter 3 Time-Based Effects 47 Note: Solo-safing the aux input prevents it from muting when a track is soloed. If you didn’t do this, the delay aux would be silenced every time you soloed the dry track. 7. Click a Send selector on the audio track and choose Bus 1 from the Bus submenu.
Note: Once you have saved or recalled a plug-in setting, pressing CtrlþShiftþS (CmdþShiftþS) will save new parameters over the previous parameters. Saving new parameters as a new preset requires that you use Save Settings As. There is no shortcut key for this function. With your plug-in settings safely stored, feel free to give a listen to my choices, which are stored as Peak 2 Kick, Peak 2 Snare, and Peak 2 Hat, respectively. You may find them to be a bit aggressive, but hopefully they make a point about the power of EQ to reshape a drum kit.